Saturday, 31 January 2015

A Selection Of Marketing Pitches I Put Together To Exploit The Otherwise Uneventful Month Of January, Which Were Inexplicably Never Greenlit

Because 'Dry January' is boring and doesn't even rhyme.

Although it is for charity.

So that's OK.

1) BakeAFlanuary
Pies have ridden a wave of nostalgia to renewed relevance. Tarts never really went away. Whatever happened to flans, with their versatility and their pleasingly tidy presentation and their flantastic gift to cookery page headline writers? When will they have their moment in the sun?* During BakeAFlanuary, that is when, with its print, TV, radio and online recipe push. Vital to get either Bake Off or Hemsley + Hemsley on board.
Who makes the money? Manufacturers of ready-made pastry casings.

2) Panuary
The number of people in this country learning to play the pan pipes has dropped by 67% in the last 10 years**. It's unclear just what's responsible for this worrying drop-off, but if the hip young pan-pipes player had made it into the final cut of Richard Linklater's School Of Rock, it's unlikely we'd be here. Through workshops, concerts and free taster sessions, let us keep this ancient, breathy musical tradition alive. It's crucial that an influential global star takes up the cause and features pan pipes in their next work. Targets: Taylor Swift, Ed Sheeran, Kanye. Or One Direction to use them in the 'unplugged' mid-section of their next arena show, to demonstrate their 'real music' credentials.
Who makes the money? The craftsmen of the Andes.

3) BarbaraAnnuary
The various members of The Beach Boys spend a month fighting it out (ideally just with music, but with weapons if further television bait is needed) to decide which of them really has the right to own the touring name The Beach Boys and celebratorily rerelease the 1965 surf-pop classic. It's The Hunger Games in Hawaiian shirts.
Who makes the money? Hopefully not Mike Love.

4) Caravanuary
Let's bring this great British holidaying institution to a new generation. Scandi decor. Marimekko soft furnishings. Fairy lights. Exterior paint jobs. Festivals. Encourage families and friends to see how many people they can squeeze into their caravan toilet and upload a picture to social media. Introduce the hashtag #CaravanOfLove. Ellie Goulding to rerecord the Housemartins' song***. Advertising campaign to carry the closing slogan 'Caravan holidays: are you ready for the time of your life?' (This only works if you know the lyrics to the song. Could be problematic.)
Who makes the money? Paul Heaton. People who are desperate to sell their caravans.

5) FancyDanuary
Similar in concept to Movember, this enables men to express themselves more flamboyantly in terms of their physical appearance without fear of censure or ridicule, under the carapace of charitable endeavour. The wearing of head-to-toe velvet, paisley, long flowing scarfs, winkle pickers, cuban heels and sock garters is all legitimised for one month only.
Who makes the money: The charities. Vintage clothing shops. Laurence Llewelyn-Bowen.

6) EatMoreBranuary
Remember bran? It was yesterday's quinoa. And where is it now? Consigned to the breakfast buffet in lower-mid-budget chain hotels, dribbling out of plastic containers where you turn a handle and expect a plastic egg filled with a toy to plop into your bowl. Instead it is just All-Bran and it doesn't even go in the bowl, it just goes all over the table and you wonder whether you should do anything about clearing it up and in the end you don't.
Who makes the money? The farmers. I think. Is it farmed? I am an intelligent, well-educated woman and the fact I don't know exactly where bran comes from clearly illustrates the need for action.

7) I'mYourManuary This can go one of two ways. It's either a personal crusade by me to prove to the world that this is indeed the world's greatest Wham! song. Closely followed by Edge Of Heaven and Everything She Wants. Or, more selflessly, a charity single featuring a) George and Andrew finally reuniting in order to cover Leonard Cohen's song of the same name, and b) Leonard, in turn, singing the Wham! stormer.
Who makes the money? George and Leonard. Sorry, Andrew. Great to have you back though!

8) JudithHannuary
An initiative to boost the number of women in science broadcasting, inspired by the first lady of Tomorrow's World. BBC4 can make one of their docudramas, with Anita Dobson as the present day Judith, and Jessica Raine to perm up as the younger character. David Tennant first choice for Michael Rodd. Simon Amstell in a breakthrough acting role as Howard Stableford. Mark Gatiss to write the script, naturally.
Who makes the money? Currently, the Royal Mint, but in the future, we'll be relying purely on a digital system of currency. Here's Judith to explain more.

9) BigInJapanuary
A month-long UK music industry showcase for all those disposable pop bands you thought went down the dumper (© Smash Hits) until you saw them on a reality show speaking candidly about their struggles with life out of the limelight from the comfort of their inexplicably well-appointed and large home set in lush, rolling grounds, with stables. How was this sumptuous faux-Tudor mansion afforded? By phenomenal success in the Far East. Can the likes of A1 regain the levels of adulation in this country that they found overseas - in just 31 days?
Who makes the money? Loads of people who, contrary to expectations, don't appear to need it.

10) Can'tScanuary
A month-long amnesty for frustrated poets who struggle with metre to submit their unfinished verses to publishers and receive honest and constructive feedback.
Who makes the money? Realistically, no one.

*Flans can contain milk, eggs, cream, fish or meat, and should never be left directly in the sun. Always keep refrigerated.
*** Urgh, I have just done a search on YouTube and PIXIE LOTT HAS ALREADY GOT IN FIRST. It is for the Matalan charity scarves thing though. Matalanuary?

Sunday, 5 October 2014

Here Is The News

Hi everyone. Thanks for coming. Sit down, I've got something to tell you.

Right here is a fork in the road.

Head over here for And Dave Arch Played On, a dedicated blog all about Strictly Come Dancing written by me and my most Olympic friend, the mighty Kate from Mind Tidying.

Stay here for non-Strictly-related rambling, which I am resolved to post far more frequently in the coming months.

Over and out.


Saturday, 27 September 2014

Strictly Come Dancing, Week 1, Show 1: Let Claudia Be Claudia

Strictly is back. Blogging is back (well, for today). Brucie has been helped into a motorised golf cart and pointed towards the sunset. His BBC access pass has been deactivated, his dressing-room teasmade appropriated (prime suspect: John Humphreys).

So this points to a slicker, sharper Strictly Come Dancing, doesn't it?


Don't get me wrong, I'm nothing but relieved that Sir Bruce now gets to wear slippers full-time. It's just that I'm a fan of the show's particular old-fashioned charm, as well as its ability to get anything remotely cool ever so slightly wrong. Please don't let it become too... well... competent.


The new series opens with a reassuringly lame VT that spells out very clearly: 'BUSINESS AS USUAL. (OH, EXCEPT FOR JAMES JORDAN.) YOU'RE WELCOME.'

The judges (team sheet unchanged) take their seats by dancing their way across the set, which I enjoy. What would it be like, I wonder, if the X Factor judges similarly sang their way to their shiny desk. I hear Simon Cowell's flat, emotionless vocal style as somewhere between William Shatner and The Flying Lizards. In fact, let's imagine him 'singing', oh I don't know, maybe those Flying Lizards' most well-known hit, just to pluck something totally and utterly at random out of the part of my brain that is thinking really hard about his dead-eyed, imagination-free approach to the music industry.

Tess is wearing a jumpsuit, which I am emphatically pro. My Dress-Up Tess doll (£12.99 from the BBC shop, £10.99 from Argos, £1.99 come January) is always wearing trousers. Claudia has had what some celeb magazine will inevitably refer to as a makeunder. Less tan. Less eyeliner. Less hair over the face. Less Claudia. She looks pretty, but this better be her call, and not the result of some ludicrous BBC ruling that says fringes may not be worn longer than four inches during primetime  (also subsection 4(c)(iii) appendix (7): larky female sparkiness must be soberly contained). Let Claudia be Claudia.

(Having now watched Saturday's show, I see that Claudia has reverted to her more usual look, thus totally undermining the previous paragraph. THANKS CLAUDIA, I THOUGHT WE WERE FRIENDS.)

First up are Caroline Flack and Pasha. Caroline is Ringer No 1 in this year's Bananarama of ringers (Pixie Lott no 2, Frankie Saturdays no 3). She serves Pasha's cha-cha choreography well, with just the right amount of subtle messing up to suggest 'Who, me? Ooh no, I'm not a dancer. Yes, I am remarkably good and assured, and, well, yes, since you mention it, I suppose I did study dance for some years, but it was nothing whatsoever like this.' Still, I like her, I like Pasha. He becomes the first pro choreographer to Deploy The Judges' Desk For The Making Of Sexy Shapes. He's gone too early with that, if you ask me. Save it for week 5 at the earliest, or Fern Britton On Borrowed Time, as I like to think of it.

Next up, Tim Wonnacott and Natalie Lowe. Natalie missed the 2013 series through injury. And she thought she was unlucky last year. Tim is sweet and trying hard, but his auction-themed cha-cha (such a natural pair-up, why has no one done it before?) makes me bite my hand. He's having a nice time, though, and enthusiastically trots around the floor led by Natalie in a way that reminds me of Training Dogs The Woodhouse Way. Afterwards, he stands in Claudia's 'area' with an arm clasped around each woman's waist like a man emerging triumphant from the conservatory at a suburban swingers' party. In his comments, Craig says Tim danced as though he was wearing a soiled nappy. I believe there is also a suburban party scene that would serve that situation.

Jake Wood and Jeanette are doing a soap-operatic tango, which begins with some fun intimations of domestic violence. It really is such a family-friendly show. Jake is strong and confident and doesn't make me have to avert my eyes through awkwardness. He was also once in Press Gang and went to college with my friend Speranza, all of which propels him into my 'like' pile.

Do you remember when Alesha Dixon was a judge and used to patronise the older female contestants? Tess does, because after Judi Murray's wobbly waltz, Tess tells her to 'walk those lovely legs upstairs'. WHAT, TESS? WHAT? Anton and Judi have employed some Scottish theming for their routine, but what with the tartan and Mull Of Kintyre and the Scots piper, it's so subtle you'd barely notice. Also, if you want to waltz to something dripping with Scotland, SUNSHINE OF LEITH, FOR GOODNESS' SAKE. During the Actual Dancing, Judi gets herself in a right old pickle, but Anton is as kind and constant to his older partner as ever. In this respect, he really is some sort of superhero emerging from the mist (rolling in from the hills my desire is always to be here oh mull of kintyre), with his cummerbund of power and his shield of Just For Men.

Let me lay my cards on the table and say that Scott Mills is not my kind of DJ. This is well-known among my friends and colleagues, one of whom secured me an on-air dedication from him on my 31st birthday. He quite admirably managed to get my job title and place of work wrong and play a terrible record afterwards. But despite this, I find myself liking him tonight. I like his no-fuss out-ness, with his boyfriend sitting next to his mum in the crowd. Of course, this shouldn't even merit comment, but it's pretty radical for Strictly. I am less keen on his cha-cha, and apparently so is he. His Dance Face is Someone Really Scared Trying To Be Really Brave, and the early-doors appearance-via-video-message of his Good Friend Robbie Williams suggests he's not thinking in terms of bloody well Blackpool. Len's comments are surprisingly hostile initially, but perhaps, like me, he has been forced to listen to too much daytime Radio 1 in the workplace and is wishing it was Marc Radcliffe and Stuart Maconie out there on the dance floor.

Last out this episode are Pixie Lott and Trent Newboy. Trent is the blond Duke Of Hazzard as played by Steve Buscemi. Pixie is the favourite to win, but not my favourite to win, even though she quite manipulatively tried to impress me by doing my favourite, the jive, in week one, and being quite good at it. Show me your rumba, Pixie, and we'll see how this is really going to shake down.

And that's your lot for programme one. It's a truncated first show - almost as though they know how long it takes me to write absolutely anything - and a somewhat underwhelming one. Are they saving the Tweet-grabbing big guns (like, erm, Gregg Wallace and Mark Wright) for the main Saturday-night ratings battle? Or are they just really bad at putting together a line-up? Make your own mind up, I'm exhausted.

No Saturday-night-show write-up from me this week, but I'll be back soon with my thoughts on the lack of a credible crush object for me in this year's cast. All the big issues! All the time!

Wednesday, 9 July 2014

Martin sees the peloton

Two things that young children find more exciting than the spectacle of the world's greatest cyclists passing by in a dizzying pageant of athleticism and colour:

1) A circling dragonfly.

2) High-fiving a police motorcyclist.

Fair enough. Both these things are excellent.

Still, there are two kinds of people in the world. Those who think it's worth standing around for two hours in the burning sun (12 noon, Cambridge) or pissing rain (3.30pm, London) for a fleeting 30 seconds of partially obscured joy, and those who do not.

There's a silence after the peloton goes by - a sense of expectation that some further spectacle may yet present itself, which you absolutely should not miss out on; that perhaps Froome, Kittel and Contador are just a gentle curtain-raiser for the real event - a grand prix of dogs riding children's tricycles, perhaps. Yet no dogs came. And as the crowd eventually dispersed in Cambridge, I heard one 70-something man turn to another and say, 'Well, there you go then, Martin. Was it worth it?'

This companion of Martin's, I felt, was a person committed to seeking out the disappointment of others and dragging it into the open with some measure of triumph, like a cat with a dead bird.

(It was all in his tone of voice. I am very sensitive to these things.)

But Martin – casquette on his grey head, peak pushed reverentially upwards, a believer, a hoper – simply said, 'Oh yes… Absolutely wonderful.'

Sunday, 1 September 2013

This is a test

Recently I was in Boots at Kings Cross station, buying the usual items of bathroom tedium on my way home from work. A women appeared beside me (not by magic – I'm pretty sure she just walked there from a different part of the shop) to be served by the adjacent cashier.

She was buying a pregnancy test.

Just that. Just a test. Just laid down right there on the counter, all alone. Not a universally unflattering palette of eyeshadow, grabbed in haste, alongside it. Not some corn plasters and a blood-sugar monitor with which to bury it at the bottom of a wire basket. Just a pregnancy test. Imagine! She didn't even want a bag. 'Would you like a bag?' was what the assistant asked her. 'No thanks,' is exactly what she said in response.

It's a long time since I studied any critical theory. Probably it could never be long enough. But this episode made me think about Barthes' Mythologies and Saussure and signs and signifiers. Luckily I wasn't thinking these things out loud, because I am really over-sibilant.

Maybe I haven't done enough pregnancy tests in my life to reduce them simply to piss and plastic. Maybe I haven't witnessed enough other people buying them. Because when I saw this small box lying on the counter, I didn't think, 'Oh, the circle of life turns one more notch. Just another everyday, £7.99 incidence of life-changing potentiality. Nothing to see.'

Instead I thought that my fellow customer must surely have slept with her infertile partner's brother following an argument and now nothing would ever be the same again. Or that the one-night stand with her boss at the end of the staff orienteering/orientation day had not been packed away with the cagoules and the clipboards after all. Or that the night when that large flying vessel landed in her back garden and the hatch opened and that creature she could not comprehend took her inside and led her to do things she didn't entirely comprehend either, but on the other hand didn't not enjoy, really did happen after all, it wasn't just the late-night brie talking.

And when she got home, she would almost certainly hide it in the laundry basket because everyone knows that's a really flawless hiding place, or possibly throw the empty box in the bathroom bin, where her boyfriend might find it and wonder which one of the four female housemates it belonged to.

You say pregnancy test. I say soap opera.

I blame soap operas.

Because it wasn't just the test. She was buying the test in a train station. The theatre of melodrama. (Or maybe that's Old Trafford.) Where people run alongside moving carriages to tell another that they love them. Where the lovehorn hurdle barriers and feint their way around guards to beg someone not to leave. Trains pull out of platforms to reveal passengers still standing there, wondering what they haven't just done. Where businessmen decide not to take their regular service to the suburbs, but instead pick a platform, any platform, and step right onto a train to Berwick or St Austell. I mean, this literally happens all the time, doesn't it? I've seen it with these two eyes. Only on the telly, mind you, but still.

Back in Boots, the cashier swiped the woman's loyalty card and said 'Are you using your points?'

Initially, I thought she said, 'Are you proving a point?' which somehow seemed slightly prescriptive, even for a pharmacist.*


Sunday, 11 August 2013

Bully for me

Some things I never did as a child:

I never took the school hamster home for the holidays.

I never had a limb in plaster.

I never played Mary in the school nativity. I was never in a nativity. We never did a nativity. Sometimes I wonder if it was really a school.

I never shoplifted high-currency teenage items (lipstick, cigarettes, Monster Munch). Or low ones (Woman's Weekly, bird feed, Dentufix).

I never escaped through a secret portal in my bedroom into a magical land of benign but fantastical wild beasts who greeted me as their queen and leader.

Also, I was never bullied.

Occasionally, over the years, I've wondered how I managed to escape it. I was brainy and a bit odd, with a whole buffet of physical eccentricities for the persecutory to pick over – deathly pale, sparrow-legged, jagged-toothed, sharp-featured, frequently unwell.

At the time, of course, I never gave it a moment's thought. 'Are you bully bait?' was never one of Just Seventeen's interactive quiz elements – unsurprising, given the infinite matrix of boy-related trauma to exploit. I sailed along on peaceful waters of unadventure. Once, I remember, I stumbled upon a girl I liked a lot – she was quiet, funny, a bit nervy – having her arms pulled hard in opposite directions by the scariest girls in the school and shamefully hurried past, on my way to play an urgent game of elastics, I imagine. She became very ill some time after – one of those crippling viral mysteries that may or may not propagate from emotional exhaustion – and was off school for months. Even in my youthful ignorance, I was shocked by how weak she was when she returned, as I watched her being helped around the playground like a pensioner.

Now I think about it, though, I realise I always had a gang. Not a big one, or a cool one. We weren't sniffing glue in darkened shopping precincts or setting light to waste bins. But we were a tight and loyal pack, united by the serendipitous fact that we all fancied different members of Duran Duran. I was rarely separated from those girls – I never grazed far from the herd, was never easy to isolate for the purposes of Chinese burns and bogwashing. You would not have found me drifting alone, 'asking for it' in the wrong coat and bad shoes – just one more oath of unspoken thanks I owe my parents. Also, during the years when I may have had to flee, gazelle-like, for my life  – or my lunch money – across the playing fields, I was one of the fastest runners in my school, however unlikely that may seem now. (Clue: really very unlikely.)

I don't know which god of the playground was watching over me. (I like to think it was the giant floating head of John Taylor, huge hair shimmying in the heavenly currents – distinguishable from the real John Taylor because his hair would never bend in the breeze.) Anyway, the fact is I escaped.

Until last summer.

Anniversaries are having a moment at the moment, aren't they? It's a year since the Olympics.  It's ten years since Breathe by Blu Cantrell featuring Sean Paul was Number One. Let the human race still be remembering both these things in a hundred more years. I'm pretty sure they will. And it's a little over a year since someone was systematically behaving with cruelty and vindictiveness towards me, in order to get something they wanted, which they weren't entitled to, and shouldn't have had. Ahh, balmy, gilded 2012 summer days.

I can't say exactly what happened or who was involved. Regular readers who are familiar with the thrill ride of my life will assume it's some matter of international espionage, drug running or high-level sexual power games. At the very least, they'd assume I'm bound by some kind of super-super-injunction. I'd applaud them in this, because the truth is incredibly mundane. Yet the feelings the experience produced in me were every bit as stressful and emotionally painful as anything I've known in my life. The kind of proper, lying awake at night, heart bumping, soul churning, unable-to-think-about-anything-else upset that persists until it is outrageously, complacently claiming a place in the top ten worst things that have ever happened to you, unseating important, precious things that are genuinely worth your distress – bereavement, the wrench of a break-up, deep sadness for a friend. What a waste of the terrible times, having to spunk them on some idiot misguidedly intent on ruining your life.

The polite among you may be saying, 'How did it start, Miss Jones?' The rest: 'GOD, is she EVER going to get on with it? Because, seriously, I've read shorter Tolstoys.'

How it started was with a series of light psychological punches – no big deal in isolation – which I attempted to parry with the following mental blocks:


'That's a bit off.'

'I wonder why she would do that?'

'It will probably blow over.'

'Oh. It's really not blowing over. Oh well.'

'Hmm. She still seems to be doing that mean and very hurtful thing. How strange. She probably doesn't realise exactly what she's doing.'

And then, eventually:

'Oh. She does.'

All those little blows must have given me some kind of concussion because, for a few weeks, I couldn't see just what was going on. Instead, I doubted myself, thinking what was happening was probably my own stupid fault.

Of course, bullies love that shit. In the cold, clear light, I can see that's Bullying 101. It's Now That's What I Call Bullying. It's Bullying For Dummies (Although Bullies Are The Real Dummies, Which You Will Learn If You Buy Our Other Hit Book, How To Stop Being A Bully For Dummies).

But I'm nothing if not entirely British. My every cell loves tea and talking about trains and hates making any kind of a fuss. Even though being scared to open your email or answer the phone because of the repeated actions of one person probably does merit some kind of a fuss. I didn't feel that what was happening could possibly warrant the term 'bully' yet, by any definition (except those relating to the quiz show Bullseye), it absolutely did.

When confusion and surprise move out, hurt outrage moves in. Seriously, those guys can not share a living space. And it always unravels with the cleaning rota. I'm a nice person. Sometimes I tut at people on the tube and leave rubbish under my seat on the train, but I'm fundamentally a B+ at nice. Maybe even A-. And I consciously surround myself with other nice people. Yet somehow someone had breached this in order to target me. They had picked me out of all the people in the world to be horrible to. That is a shitty kind of a raffle.

As adults, we're rarely out of control unless we choose to be, with bungee rope, large amounts of alcohol, recreational drugs, or babies and young children. It's unlikely anyone will force us into a municipal swimming bath or over a gym horse, or order us to do any of the above in our underwear. There are acts of God and human tragedies, but most days we get to say no. Yet suddenly I was feeling powerless and frightened. This was not the adulthood I had been promised! Where was my sense of grown-up self-assurance and my wardrobe of cashmere?

And also this: before it all started, I was serenely independent and content (as Professor Higgins sings in I've Grown Accustomed To Her Face). Or, more technically, single. I had my own home, a career and a lot of friends. I walked tall. I ate alone in restaurants (I mean, not all the time, I'm not weird or anything). I was proud of all that. I depend on me (as Destiny's Child sing in Independent Woman Part 1). But I felt very strongly that none of this would have happened if I'd had a boyfriend or husband and wasn't plugging away at life alone. Or, in fact, if I were a boy (as BeyoncĂ© sings in… oh, I've forgotten the name of it now). I can't tell you how much I hate that.

Still, through it all, she remained – assiduously, relentlessly turning the screw. Like Miss Trunchball's less forgiving sister, the one people don't like as much as Miss Trunchball. But, crucially, not, in the eyes of the law, doing anything wrong. Because it turns out that behaving like a total shit is not in itself illegal. Really? There are small people living in a slim box in my pocket who can play any music in the world through my headphones, yet no one's sorted that out yet?

And the awful consequence of that is that you end up becoming a little more like her – hardened and spiteful – in response. Soon I was sitting in middle-brow restaurants with my friends, eating our aspirational mezze and making unthinkably dark jokes about the ways in which I might kill her, in order to end all this. Then going home and lying awake and thinking what might happen if someone actually did kill her; imagining the police questioning my best girls, seeing their faces as the investigating officer said, 'How would you describe Miss Jones's relationship with the deceased? Did she ever display aggressive feelings towards her?' 

It ended eventually. It always does. I stayed strong and I saw it out. 'Strong' is not conventionally defined as wanting to cry, do a massive poo and start running and never stop ALL OF THE TIME, EVERY DAY, which was exactly how I felt. Strong was purely superficial in this instance. But it was enough. I always knew superficial would have its day. 

In a manner of speaking, I won. This absolutely does not mean that I killed her and got away with it. It means I escaped from the situation and she didn't get exactly what she wanted.

In another, more profound way, she won. She got a little of what she wanted and I am left, still, with the aftershocks. I still feel a shiver when I travel through a certain part of town. Still spend morning showers and train journeys wondering what I would do or say if I ran into her. I'm less trusting.

But what, I hear you asking, Terry*, was the real secret of my (small, semi-) success?

I had a gang. Not a big one, or a cool one, but five-star, rock-solid back-up. Metaphorically, they held my coat while I squared up to fight. Literally, every single day, one or more of them was patiently telling me to hold my nerve, be brave, not rise to it; that I was in the right, that I was better than this, that it would soon be over.

There are more of them in the world than there are of her.

*Little Commitments throwback for anyone excited about the new Roddy Doyle book

Sunday, 14 July 2013

Miss Jones Is... Writing Without Authority About David Bowie

A quiz:

Consider the quotation 'Ultraviolence in Liberty fabrics.'

Does it describe:

a) A costume designed for the musician David Bowie during the Starman era?

b) My disposition, 45 minutes into the V&A exhibition celebrating the musician David Bowie, having moved a total of no more than three metres from the entrance, trapped between ever-encroaching human walls of ditherers, slow readers, the spatially unaware and David Bowie fans – and the Venn diagram which holds them all?

[The exhibition has been open for several months now, and it occurs to me that it's so good that no one may actually be leaving. They're just letting more and more people in.]

The answer is, of course, both. It was a trick question.

Still, during the three hours you spend carefully edging your way around David Bowie Is..., it is heartily reassuring to find something, anything, in common with the subject. The creativity, the eclecticism, the energy, the conviction on display, is simultaneously inspiring and totally demoralising. What have I achieved with my sorry life in comparison? Why have I wasted so many years? Should I have worn more jumpsuits when I was younger and a slim size 10?

Say what you like about Dave, but he certainly gets things done.

I like to imagine this kind of conversation between David and his neighbour as they both left their respective houses on any given Monday morning from the late 60s onwards.

'Hello there, David!'

'Hi Jeff. How was your weekend?'

'Oof, well, pretty busy actually. Mowed the lawn - that was well overdue. Took Maureen and her mother out for Sunday lunch, bled the radiators, watched Poldark. How about yourself?'

'Well, I wrote a few songs, went to my mime class, commissioned a set of asymmetric PVC stagewear from an unknown fashion student, storyboarded a new short film, made some flapjacks and read a really inspiring book about Dadaist theatre in the 1930s.'


David Bowie Is... a very sobering comparative exercise. Still, as my companion, Mr H, said to me over lunch afterwards, the gulf between our achievements exists because David Bowie is a one-off. There is him, he said, and then there is the rest of us.

The next day, I went to get my hair cut and noticed my hairdresser had bought exactly the same postcard from the exhibition as I had and stuck it to his mirror.

This is the kind of symbiotic thinking that can be achieved by shouting at each other over the noise of a hairdryer three times a year.

And since hairdressers are confidantes and counsellors, as well as being really good at not gagging when bits of other people's hair get everywhere, I discussed my feelings of Aladdinsecurity with him.

He, too, was philosophical. (Look at all the reassuring men I know! When I was floundering after the sudden death of my dad, a counsellor told me there wasn't enough positive male influence in my life. Well, look at me now! I'm a winner!)

'That's why he has an exhibition about him,' my hairdresser said. 'And we don't.'

If you are as self-involved as I am, here's what you take away from David Bowie Is...:

There will never be an exhibition all about me.

People will never queue patiently to look at faded photographs of me aged six dressed in a mum-sewn clown costume for a ballet recital and ponder how commedia del'arte had always had a profound influence on my work. 

My penetrating yet slyly humorous letters of complaint to Southwark Council will never find a home under a protective glass case as an example of an artist honing their gift before finding their true artform. This is a bloody shame because they were brilliant letters, actually.

Ernest curators will never write informative panels describing how my youthful brio and raw talent* shook the stuffy world of regional baking competitions to its very foundations.

All I could do to console myself was look for any other ways DB and I are alike. There are several:

We share a naturally/unnaturally high pallor.

We are both Capricorns, supposedly the dullest sign in the zodiac. (At this point, the V&A would probably whirl their endless white ribbon of Bowie-related till receipts around like a rhythmic gymnast and say that astrology is bullshit.)

Our dads have the same name. And I think we can all agree that 'John Jones' is pretty unusual.

Another thing: as I walked around the exhibition, I overheard a man trying to impress the woman he was with by telling her how the mention of 'the market square' in Five Years related to the market square in Bromley. He may have been making it up. I wouldn't know. I'm the first to admit I'm a Bowie-come-lately. But I have suffered my own harrowing torment in Bromley's market square, when a wooden skewer thrown on the ground became embedded in my foot, having found a path through the slats of my gladiator sandals (a grasp of footwear trends will tell you this happened some years ago).

Uncanny, no?

Um. OK. Everyone?


Obviously I realise I'm nearly 40 and this has never occurred to me before, but if it's true, then I did take an awful lot of drugs in the 70s, so it's very likely this kind of thing could slip your mind. And Dave does love an image change.

I feel much better about things now.

Still. I should NEVER have turned down the Olympics.

*Not so much this really.