That's why I feel compelled to tell you that my latest found-art project, exploring the ways in which extraordinary musical talent is predestined to collide and collaborate organically, despite the synthetic constructs of the corporate machine – using the medium of the 'Share a Coke' venture and its random product placement – has not exactly got off to the dynamic start I had hoped.
No 1: The Bedingfields.
I am honestly starting to doubt whether Coke has even produced a 'Ringo'.
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